indirect acquisition of harmonic notes producing gestures on the flute
comparison of direct and indirect acquisition of gestures (case of flute, with Benoît Fabre and Thierry Voinier)
indirect acquisition of vowels used by flutists to change timbre (with Caroline Traube)
vibrato study for wind, wood, brass and string instruments; development and perceptual evaluation of a high-level signal processing vibrato model, accounting for modulations of amplitude, frequency and spectral envelope (with Catherine Guastavino)
physically-controlled synthesis: combining physical models and additive synthesis to improve sound quality and controlability (with Philippe Guillemain)
sonification of musicians' ancillar gestures
collaborators:
Marcelo M. Wanderley & Philippe Depalle (SPCL & IDMIL, CIRMMT, McGill)
Catherine Guastavino (MIL, CIRMMT, McGill)
Philippe Guillemain, Thierry Voinier (LMA-CNRS)
Benoît Fabre (LAM-IJLRD)
Caroline Traube (LIAM/OICCM, University of Montréal)
supervisor: Prof. Philippe Depalle & Marcelo M. Wanderley
research topics:
mapping study in the context of digital musical instruments and their gestural control
study of additive synthesis and the sound transformations it allows
study of methods for converting spectral envelope representations
development of the Ssynth software: realtime additive/substractive synthesizer
with gestural control via Open Sound Control (OSC) and advanced morphing functions
(C with Python interface to the Pure Data and Max/MSP softwares;
Matlab prototyping)
